srRAW Cinema Camera for iPhone
RAW Filmmaking in your hand
To learn more about srRAW, please visit the cine.ma community.
To learn more about srRAW, please visit the cine.ma community.
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RAW CINEMA FOR UNPRECEDENTED CREATIVITY
14-bits of dynamic range, 4° of exposure, add noise reduction, control white balance, saturation and exposure
13 stops of dynamic range, 6° of exposure, NR, WB, sharpening and tint
RAW CINEMA FOR UNPRECEDENTED CREATIVITY
13 stops of dynamic range, 6° of exposure, NR, WB, sharpening and tint
NO BAKED IMAGES - ZERO ALGORITHMIC PROCESSING - NO AI
Captures "real life" for mobile cinema purity
NO BAKED IMAGES - ZERO ALGORITHMIC PROCESSING - NO AI
Captures "real life" for mobile cinema purity
JOIN OUR srRAW+ BUILD PROGRAM
Unlock special perks while we build together
YOU
JOIN OUR srRAW+ BUILD PROGRAM
Unlock special perks while we build together
YOU
ZERO TRANSCODING
Native CinemadDNG encoding has "Plug n Grade" DaVinci Resolve and many other tools
ZERO TRANSCODING
Native CinemadDNG encoding has "Plug n Grade" DaVinci Resolve and many other tools
Newsletter
Subscribe for the latest updates on our products, activities and offers
What other filmmakers say
What other filmmakers say
"The colours and lack of over-sharpening reminds me of the BPCC…"
Mamotreco
"The colours and lack of over-sharpening reminds me of the BPCC…"
Mamotreco
"The sharpening, aliasing, extreme temporal noise reduction, motion and color artifacting is all gone, and what you’re left with really is just the purest version of your digital negative."
Søren James
Filmmaker & AFI Conservatory,
Directing, 2024
“I’m not fighting the image—I’m sculpting it. I can push the grade, isolate tones, and build a look without the footage falling apart..”
John-Twice Roque
Cinematographer & Colorist
"The sharpening, aliasing, extreme temporal noise reduction, motion and color artifacting is all gone, and what you’re left with really is just the purest version of your digital negative."
Søren James
Filmmaker & AFI Conservatory,
Directing, 2024
“I’m not fighting the image—I’m sculpting it. I can push the grade, isolate tones, and build a look without the footage falling apart..”
John-Twice Roque
Cinematographer & Colorist
"The sharpening, aliasing, extreme temporal noise reduction, motion and color artifacting is all gone, and what you’re left with really is just the purest version of your digital negative."
Søren James
Filmmaker & AFI Conservatory,
Directing, 2024
“I’m not fighting the image—I’m sculpting it. I can push the grade, isolate tones, and build a look without the footage falling apart..”
John-Twice Roque
Cinematographer & Colorist
Frequently asked questions
Frequently asked questions
What is cine.ma?
What is the difference between srRAW and cine.ma's srRAW+ Build Program?
What is cine.ma?
What is the difference between srRAW and cine.ma's srRAW+ Build Program?
